Project Eden Review

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            Project Eden

Review by Old RoosterFebruary 2002

A New Approach to Adventuring?

Core Design, the team behind Tomb Raider, has created an inventive, if somewhat flawed, “adventure/action” title.  My first viewing of the early premise and efforts at E3 in May 2000 left me with considerable anticipation—even naming Project Eden as one of the top five “Games of Show.” Well, how does the final production fare, and “what’s it all about, Alfie?”

“We Need to Capture One for Analysis” —Control

A provocative introductory movie makes it evident that the towering megacities of Earth’s future are built on foundations of slime, corruption, and nasty, mutant monster-things that have evolved in the basement.

You play as part of a four-member team from the UPA (Urban Protection Agency), dispatched by Control to find out why machinery is malfunctioning at the Real Meat Factory. Initial inquiries by technicians have led to their disappearance. Your elite team is composed of Carter, the Commander, Minoko, a computer whiz, Andre, a skilled technician, and Amber, a Cyborg with a thick skin.

With ongoing instructions from Control, your group proceeds downward, with great care and precision, through 11 huge levels. Most of the time (80%) you’ll be solving lever/door opening puzzles. Some of the time (20%) you’ll be engaged in fighting. The special ingenuity of Project Eden is that you may take on the persona (in first or third person) of any of the four team members, and often you need to do just that for specific tasks. Amber, with the metal skin, doesn’t have to worry about a hot steam leak on her way to turning off the valve for all of you. Often, Minoko, with her Jen-like computer skills, will need to do some hacking to move the team along. And so on. Each has her/his unique specialities. There’s even a fly-cam, sometimes used for remote scouting. Regeneration and recharge points are scattered throughout the levels, as are informational updates from computer terminals. Interestingly, you can’t die, as such, but rather are sent to a regeneration point in the event of a nasty “accident.”

“Don’t Kill Him Unless You Have To” —Minoko

In terms of technical aspects, I was pleased that Eden took only 10 MB of hard disk space, and it ran flawlessly on my PIII 450 system. The graphics, though not up to the level of the Quake 3 engine, still are detailed and attractive—though also often dark and claustrophobic, as befitting this strange and foreboding world. Control, typically in third-person mode, is excellent, far superior to some of the current adventure games attempting such character management. The mouse does most of the work, although reconfiguring is allowed. The interface is smooth and intuitive; helping, not hindering. Sound is mediocre, with poor voice acting, no music, and little in the way of ambient noises.

“Oh, Great; Get Me out of Here!” —Minoko

Without wanting to give much away, suffice it to say that the narrative point of Project Eden is to explore your vast and vertical city, finding out why your infrastructure is crumbling, both figuratively and literally. Unfortunately, the game becomes boring. After the initial gimmicks and novelty, the puzzles are tedious (though not irrelevant or mind-boggling) and the combat is uninteresting. Most problematic of all, from our adventuring perspective, is that the story is dull. About halfway through, you’ve guessed the outcome and are simply wanting the game to end. The thrill of discovery isn’t there, nor is there continuing joy in the puzzle-solving, “how do I get my team through this door” process.

Yet I’m going to push the verdict to a “Thumb Up.” The attempt to put an emphasis on “adventure” in this “action/adventure” is most commendable; as is the use of a party with different skills.  It’s the execution, as with many great-sounding game premises, that lets us down. Let’s encourage, though, Core and Eidos to make another game of this style, placing greater emphasis on the story/narrative, perhaps replacing some of the mechanical puzzles with conversations requiring deduction. All in all, then, a very qualified recommendation from Old Rooster. Buy it budget.

What I Liked the Most

The puzzle approach to story progression, as compared to “blasting away,” the specialized team premise; and the fact that it takes only 10 MB of space even with fine graphics.

What I Liked the Least

The storyline is uninteresting, action elements are infrequent and weak, and some puzzles are mind-boggling. The End

The Verdict

The Lowdown

Developer: Core DesignPublisher: Eidos Release Date: October 2001

Available for: PlayStation 2Windows

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Screenshots

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System Requirements

PII 300 64 MB RAM 12 MB 3D accelerator 10 MB free hard disk space

      Copyright © Electric Eye Productions.  All rights reserved.  No reproduction in whole or in part without express written permission.

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14 Responses to Fear Factor

  • Fear Factor | Tap-Repeatedly.com | Reality Topics Blog

    […] nobody@flickr.com (graftedno1) wrote a very interesting post today.   Here’s a quick excerpt:My greatest fear is to be trapped alone in a confined space with a blind human, in total darkness. They have a heightened sense of smell and hearing, and. […]

  • Matt "Steerpike" Sakey

    Lewis, you made me think of the scariest moments I’ve experienced in gaming, and we’re very similar people.

    Bioshock had two moments – the dentist and the flooded room filled with mannequins.

    Thief had Return to the Cathedral, which was terrifying to me. Thief 3 had Shalebridge Cradle, which is so scary it ought to be fined.

    System Shock 2 kept me on the edge of my seat, but it was more lonely panic than true fear.

    Korsakovia was so scary that I uninstalled it.

    And STALKER. Oh, god, the haunted labs in STALKER. The latter two games don’t have scares like that. Few games do.

    It’s especially rare for a game to have more than mere “moments” – for a game to be scary from beginning to end, that’s a triumph.

    Wonderful article. As if Gregg’s review wasn’t enough to convince me that Penumbra is not something I have the courage to play!

  • DPenn

    I’m with you Lewis … I’m a bit of a puss. I just have a hard time wrapping my head around the idea of dread as entertainment.

    Still, I’m drawn to dark stories when they have something interesting to say, whether it’s a game like Thief or a film like, say, Gaspar Noe’s Irreversible. So I’ll push through, sometimes peering through my fingers.

    The trouble with games, though, is that if you look through your fingers, you’re probably just going to have to play through the scenario again. :~)

  • Mike "Scout" Gust

    I wanted to play this game. I downloaded the demo but the controls were just too wonky for me to get my head around. I liked the atmospheric vibe a lot. I think I’m a bit desensitized from an overdose of horror movies in my youth so I don’t so much get the dread thing from these games as a nice creepy vibration. If only the controls were better…

  • Lewis B

    @ Mike, what’s wrong with the controls bud? As someone who despises poor control schemes, Penumbra’s is just like any other FPS, except to examine things you right click on them.  To use things you left click.  I’m not sure that can be considered difficult 🙂

  • Gregg B

    @Steerpike: Yeah my greatest shit-scared moments were with those games too. A few spoilers below people, so beware.

    Bioshock – Haha, I remember the dentist. I didn’t really find the game that scary overall but the bit where you go into the wine cellar and notice a mannequin facing the wall and after upgrading your weapon it’s stood directly behind you motionless and quiet just for a moment before attacking you. I shat a brick. I also missed that bit originally until Lew told me about it.

    System Shock 2 – same as you really, more unremitting tension all the way through rather than specific terrifying moments. Oh actually, theres a bit where you call a lift and it breaks then you realise a service droid is coming to fix it… I do remember having sleep issues after my first encounter with the cyborg ninjas though.

    Thief: The Dark Project – The Sword and Return to the Cathedral and Down in the Bonehoard and well, loads of them. The Sword made me break out into goosebumps though because there was a bit where you could hear this creepy giggling which seemed like it was following me about then it suddenly changed to this horrible throaty noise. What made matters worse was that the EAX (bless you Creative) made my foot steps sound like somebody else was there with me. That level was incredible, a bit too incredible as it seems I missed great chunks of it because I was so eager to leave.

    Thief II: The Metal Age – Trail of Blood where you end up in that opening with those damn tree beasts. God the first time I saw one of those hurtling towards me I actually died shortly afterward. Do you remember that Mechanist child walking around on one of the levels? That was a little creepy.

    Then there’s Penumbra: Overture – quite a few bits but I’m not mentioning them here.

    Oh and S.T.A.L.K.E.R. – The brain scorcher lab just because it was so damn quiet. My imagination seriously got the better of me there. Those stuffed animals and heads I’d seen in various buildings led me to believe that those creatures were lurking somewhere in the Zone, specifically that lab.

    @Mike: My control setup was perfect after some tweaking (as well as the simple weapon swing fix). If you ever fancy giving it another go, give me a shout and I’ll let you know my setup.

  • Lewis B

    I’m not sure why guys, but one of my starting paragraphs had gone missing, even though I copied it straight from the original source, and It was fine earlier. 

    Incase you missed it due to some technical issue you might want to re-read just after “Well no she wouldn’t in truth, but in Penumbra: Overture you don’t want to move anyway.” at the very start for those who’ve already read the article. Apologies 🙂

  • Mike "Scout" Gust

    Lewis, it was the weapon swing. It had this terrible, unresponsive feel to it, like trying to hit through molasses. I couldn’t stand using it. I tried the .ini fix as mentioned in the review but it didn’t seem to help. Of course this was the demo…but that shouldn’t have made any difference. I might try the second game instead as I guess they did away with the weapons thing.

    I’m see your first paragraph just fine. It’s the dialogue, right?

  • jdeuel

    I like the argument that weapons can remove fear, but even loaded to the teeth with ammo in AVP’99 the Marine missions were frightful because the enemy was anywhere at any time.

    As for Penumbra Overture, if the controls are anything like the original Penumbra they need to hack in some Wii-Remote 3d controls. I did not like using my mouse for 3d movements.

  • Gregg B

    @Mike: I’ve read that many people avoided conflict altogether in Overture which incidentally is something forced upon you in Black Plague. As somebody who has been renovating a house over the last 6 months with no DIY experience I can safely say that swinging a hammer is significantly easier in real life than it is in Overture without the fix. The fix balanced that for me.

    I’d highly recommend completing the first Penumbra because it’s one big build up to Black Plague which spoils the ending to Overture in the intro. And it’s a great ending too. Just so you know!

  • Lewis B

    @ Steerpike, those moments you mention are all my worst too!!  Do you remember the Robot labs in SS2? Absolutely terrifying, waiting for robots to burst out on you! 🙁 oh and have you ever player Condemned?

    @ Mike, The use of weapons in Penumbra is different to say HL2, where the player is physically holding the weapon, as in Penumbra it floats slightly infront of you.  However, if you change the control method to normal weapon swing, it’s no different!  Speak to Greggi and he’ll tell you what to do 🙂

    @ jdeuel, AVP the original and its sequal were scary however what type of fear do you think it is? I don’t think it’s anything more than sheer tension.  Having a Smart Gun makes you feel incredibly powerful.  I can honestly say in Penumbra the fear is sheer unrivalled terror, where you actually have to force yourself to play on.  It genuinly is that scary! 🙂

  • Jason Dobry

    It’s so true, an arsenal of weapons and ammo rapidly deflates any sense of horror or uneasiness in any game for reasons you already mentioned. Sakey, I thought Bioshock was more “lonely panic,” while I was pretty much always terrified in System Shock 2. I really, really, REALLY did not want to enter The Many’s nursery, and my weapons were so unreliable and ammo so scarce that I never felt safe.

    Silent Hill was terrifying for the same reasons. Ammo was rare and I frequently had to rely on my pipe for self-defense.  Even when I had ammo, the game mechanics prevented my character from being anything other than marginal with any firearm.

    Fear had one moment for me: I was climbing up a ladder, and as I reached the upper platform, my guy briefly looked down as he climbed off. As my perspective looked up again, that Ring-esque little girl was RIGHT THERE, reaching for me. I screamed and she was gone.

    What else…the original Aliens vs. Predator sent me into a locker room and I could only hear the facehuggers scurrying about somewhere within. I had to go in there. I advanced about three steps before the damn thing screamed and filled up my screen with its repulsive underside as it implanted me with its spawn. My roommate made fun of me for weeks for screaming like a girl child.

    Korsakovia–meh.  I was too annoyed and frustrated by the box rearrangement/jumping puzzles to be scared. I uninstalled it after an hour of play, I think. Maybe the scary parts were later, but I doubt it.

    As for Penumbra, I did play through about half of it before other games distracted me. I remember unease and creepiness, but no sweaty fear. I think I’m to blame here, or, more precisely, my daughter, who was still an infant at the time and generally allowed me only to play during the day for 45 minutes at a time. I was denied total immersion and the fear effect suffered. Maybe I should give it another go after I finish Call of Pripyat since she sleeps through the night now. With any luck, Penumbra will keep me from doing the same.

  • Gregg B

    I played the demo of F.E.A.R. but that ladder scare is the only bit I remember. Christ, that made me jump. I’m not too good with cat scares.

    Also I felt exactly the same about Korsakovia. It was creepy at first but then it began to irritate me far too much and it just soured the experience. I stopped playing as a result. Not to mention, when I realised I could bash those smoke-things with my crowbar they didn’t bother me nearly as much.

  • Online Up

    Great article. I look forward to reading more in the future.

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