Rhem 2 Review

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            Rhem 2

Review by DavoJanuary 2006

How much do you enjoy puzzles in your adventure games? Do you really, really love them? You had better if you’re going to play Rhem 2, because your answer to that question is critical to your enjoyment of this game. Rhem 2 is a first-person, Myst-like, slideshow-style adventure game. Except it’s not exactly an adventure game. It’s really one long string of puzzles that open up other puzzles that grant access to yet more puzzles until you solve the final puzzle and complete the game. There is quite a bit of exploration, but the cavern you spend all your time exploring is just a huge framework for the puzzles. There is no story. There is no action.  There is a miniscule amount of character interaction, and it’s superfluous at best. Depending on your inclinations, you’ll view the game as either mysteriously intriguing or grindingly tedious. At times, I found myself solving puzzles, opening new areas and becoming completely absorbed in the mysteries hidden within the caverns of Rhem 2.  At other times, however, I found myself stuck behind yet another insufferably difficult puzzle with no idea how to solve it even after hours of play.

I’ve never really completed a game like this before and, as you can tell, it wasn’t a completely positive experience for me. On the other hand, I can’t fault Rhem 2, taken on its own merits.  It’s well-designed and crafted with care. Incredibly difficult puzzles dominate the gameplay because that’s exactly what the game designer intended. If you like this style of game, you’ll love Rhem 2.  It does what it does very well and, for the most part, doesn’t pretend to be something it isn’t. If, however, your tastes lean away from Myst-style slideshow games lacking any story or meaningful character interaction, you’ll want to stay far away from Rhem 2.

“Riddle Me This”

I didn’t play the first Rhem, so I’m not really in a position to tell you how this sequel compares to the original. A little research reveals that Knut Müller programmed both Rhem and Rhem 2. Just the fact that Rhem 2 is a one-man show in terms of design and programming is impressive in this age of mergers and consolidations. Kudos also to Got Game for making games from small developers commercially available. Enough already with the background information. Is the game any good?

The puzzles are the attraction in Rhem 2, and they come in a several varieties. Many are mechanical, such as the numerous ones that require you to find hidden clues and parts that power up wicked-looking machines or open locked areas. Some are mathematical, requiring you to figure out which values to assign to algebraic equations scrawled in dark corners of the cavern. Others are geographical, forcing you to work your way through complicated mazes designed to confuse.

The puzzles range in difficulty from easy to harder-than-you-thought-possible.  One of the easiest comes early in the game when you find a swipe card and put it to immediate use. Piece of cake. One of the harder ones (for me, anyway) requires you to calculate the ratio between two seemingly unconnected sets of numbers to come up with a value that solves the puzzle. If you’re one of those people who buy books of logic puzzles to occupy your free time, you’re going to love Rhem 2. For everyone else, well, it may be more than a little daunting.

You’ll have to pay serious attention to your surroundings to get anywhere. The developer has deviously and cleverly placed clues all over the place in plain sight in a manner that prevents you from noticing them unless you’re carefully paying attention to everything you see and hear. In addition, having a poor memory is a serious detriment to completing this game. At the very least, you’ll need to take copious notes to remember where you saw something. Puzzles solved in one area may provide critical clues to puzzles in some far-flung corner of the caverns that you visited days ago. I finished the game with 15 pages of notes detailing my struggles with the hardest puzzles.

Sometimes, paying attention to your surroundings and taking notes isn’t enough. This is when you have to get creative in the cleverest ways. It’s also when Rhem 2 is most fun. Toward the end of the game, you’ll have to pass through a maze with glass walls. Most of the walls look identical. On top of that, you have to work your way through a series of doors. The problem is that opening one door closes another elsewhere in the maze. It’s easy to get lost or confused.  There is a map on one wall, but it’s only partially helpful because it doesn’t tell you how to get past the obstacles. After hours of struggling with this maze and getting lost time and again, I hit on an idea that worked beautifully. I made a copy of the map on the wall in the maze. Then I grabbed a small humanoid Dungeons and Dragons figurine from my son’s collection. I placed the figurine on the copy of the map I had made and faced it in the direction I was moving in the game. As I wended my way through the maze, my son moved the figurine across my paper map and matched my movements and orientation in the game. Figuring this out was a moment of pure bliss after struggling through this same area 40 or 50 times over a couple of days.

Rhem 2 is at its worst, however, when it throws a puzzle at you that defies any normal sense of logic. More than a few puzzles triggered an unanticipated string of expletives from my gaping mouth when I finally learned the solution. “How the hell would I know that?” or “you have got to be kidding me” were common reactions. I can’t describe any of these puzzles without revealing spoilers, but they were scattered throughout the game.

Gameplay is not exactly linear, but it’s not entirely nonlinear, either. It’s nonlinear in the sense that you can walk around in any of the available areas and solve the puzzles in pretty much any order you like and linear in that there are some areas you just can’t reach until you solve certain puzzles. This, I guess, is the best of both worlds.

The Fault Lies Not in My Stars but Within Myself, Dear Brutus

Much of my disdain for the harder puzzles in Rhem 2 comes from my own dislike of this type of game, and this is the only area where the game’s promotional materials led me astray. The marketing claims that Rhem 2 has a deep and immersive storyline. Let’s be clear about one thing: Rhem 2 has no story whatsoever.  I had a hard time maintaining interest in the game without a narrative tying everything together and providing some motivation to continue struggling with the puzzles. I felt the game frequently ground to a halt when I was stuck behind an impossible, albeit clever, puzzle that prevented any forward progress until solved. Honestly, I never would have completed the game without the assistance of some excellent walkthroughs put together by some much smarter people than I. It may be that I’m too stupid to play this game. I can accept that.  Mensa isn’t exactly breaking down my door to get me to join.

Lacking a story, you end up with nothing but a bunch of unexplained mysteries that reveal themselves through a distant click or a locked door that you suddenly find opened. That’s fun for a while, but after several hours with the game, I found the exercise somewhat pointless. The hidden caverns with their mechanical, mathematical and logic puzzles serve as the perfect setting for a story of murder, betrayal, mystery—you name it. There’s a lot of unrealized narrative potential in this game.

One other problem with the game is the ridiculous compass. North is north and south is south. West, however, is east, and east is west. So if your compass is pointing east, you’re actually facing west. Huh? Where did that come from? I don’t really understand the reasoning behind that particular design decision.

Making a Good Impression

Rhem 2 offers a very nice presentation. Even though Rhem 2’s resolution is locked at 800×600×32, I thought the graphics were quite good. They managed to convey a damp, dank, dark cavern quite effectively. Even on the rare occasion when you’re moving through the caverns in non-slideshow fashion, as when you take a train, the graphics maintain their quality.

Sound effects are also handled nicely. Rhem 2 is a great game to play while wearing headphones so you can experience every breeze, echo, drip and clank. There was always some creepy background noise lurking in Rhem 2’s caves. Once, I heard a whistling wind that I swear carried the sound of someone humming. The only weakness in the sound stems from the noises that indicate whether you have successfully triggered a puzzle that affects some other area of Rhem 2. On several occasions, I couldn’t tell whether the noise I heard was the success or failure ping. This resulted in some wasted time as I trekked back across the caverns to figure out whether I had triggered the puzzle successfully or not. It was a minor irritant but annoying nonetheless. There is no music in the game, but I never really noticed its absence, probably because of the large quantity of ambient noise.  The interface is classic point-and-click. If you can interact with something, your cursor turns into an open hand that grabs at the object when you click on it. You have a small inventory that you access by clicking on the bottom of the screen. Using an item is as simple as pulling it from your inventory and trying it on the target.  The game has 10 save slots that number your saves in sequence and tell you how long you’ve played but only for that individual save.  If you save over an old slot, it won’t provide you with an aggregate time. Again, not a big issue but a tad irritating. I like to know how long I’ve played a game without having to write my times down myself.

Don’t Hate Me Because I’m Beautiful

Is beauty truly in the eye of the beholder? It is if you’re playing Rhem 2. Rhem 2 is a game geared toward a very specific audience: adventure gamers who love puzzles and don’t need a story. I am not part of that group. To me, the most appealing element of the adventure game genre is, and always has been, story. Puzzles were always secondary to my enjoyment of adventure games. Even though I didn’t like Rhem 2 much of the time, it gets a Thumb Up for being exactly the kind of game its creator intended it to be. It would be unfair of me to penalize the game based on my own dislike of the genre. If you’re on the fence, you should download the demo and try the game first. At the very least, you’ll get your money’s worth if you buy this game. I played for more than 40 hours, and that was with a walkthrough for a substantial portion of the game.

I will say one very positive thing about the world of Rhem in closing: If Mr. Müller adds a decent story to Rhem 3, I’ll be back to explore the mysteries of this unique world. The End

The Verdict

The Lowdown

Developer: Knut Müller Publisher: Got Game Release Date: November 2005

Available for: Macintosh Windows

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Screenshots

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System Requirements

Windows: 500 MHz or faster Windows 98/2000/ME/XP 64 MB RAM 100 MB free hard disk space (minimal) or 800 MB (full installation) 12× CD-ROM drive QuickTime 6 for Windows Sound card Video card

Mac: PowerPC 300 MHz or faster MacOS 9 or OSX 10.3 64 MB RAM 100 MB free hard disk space (minimal) or 800 MB (full installation) 12× CD-ROM drive QuickTime 6

Where to Find It

Links provided for informational purposes only.  FFC makes no warranty with regard to any transaction entered into by any party(ies).

      Copyright © Electric Eye Productions.  All rights reserved.  No reproduction in whole or in part without express written permission.

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14 Responses to Fear Factor

  • Fear Factor | Tap-Repeatedly.com | Reality Topics Blog

    […] nobody@flickr.com (graftedno1) wrote a very interesting post today.   Here’s a quick excerpt:My greatest fear is to be trapped alone in a confined space with a blind human, in total darkness. They have a heightened sense of smell and hearing, and. […]

  • Matt "Steerpike" Sakey

    Lewis, you made me think of the scariest moments I’ve experienced in gaming, and we’re very similar people.

    Bioshock had two moments – the dentist and the flooded room filled with mannequins.

    Thief had Return to the Cathedral, which was terrifying to me. Thief 3 had Shalebridge Cradle, which is so scary it ought to be fined.

    System Shock 2 kept me on the edge of my seat, but it was more lonely panic than true fear.

    Korsakovia was so scary that I uninstalled it.

    And STALKER. Oh, god, the haunted labs in STALKER. The latter two games don’t have scares like that. Few games do.

    It’s especially rare for a game to have more than mere “moments” – for a game to be scary from beginning to end, that’s a triumph.

    Wonderful article. As if Gregg’s review wasn’t enough to convince me that Penumbra is not something I have the courage to play!

  • DPenn

    I’m with you Lewis … I’m a bit of a puss. I just have a hard time wrapping my head around the idea of dread as entertainment.

    Still, I’m drawn to dark stories when they have something interesting to say, whether it’s a game like Thief or a film like, say, Gaspar Noe’s Irreversible. So I’ll push through, sometimes peering through my fingers.

    The trouble with games, though, is that if you look through your fingers, you’re probably just going to have to play through the scenario again. :~)

  • Mike "Scout" Gust

    I wanted to play this game. I downloaded the demo but the controls were just too wonky for me to get my head around. I liked the atmospheric vibe a lot. I think I’m a bit desensitized from an overdose of horror movies in my youth so I don’t so much get the dread thing from these games as a nice creepy vibration. If only the controls were better…

  • Lewis B

    @ Mike, what’s wrong with the controls bud? As someone who despises poor control schemes, Penumbra’s is just like any other FPS, except to examine things you right click on them.  To use things you left click.  I’m not sure that can be considered difficult 🙂

  • Gregg B

    @Steerpike: Yeah my greatest shit-scared moments were with those games too. A few spoilers below people, so beware.

    Bioshock – Haha, I remember the dentist. I didn’t really find the game that scary overall but the bit where you go into the wine cellar and notice a mannequin facing the wall and after upgrading your weapon it’s stood directly behind you motionless and quiet just for a moment before attacking you. I shat a brick. I also missed that bit originally until Lew told me about it.

    System Shock 2 – same as you really, more unremitting tension all the way through rather than specific terrifying moments. Oh actually, theres a bit where you call a lift and it breaks then you realise a service droid is coming to fix it… I do remember having sleep issues after my first encounter with the cyborg ninjas though.

    Thief: The Dark Project – The Sword and Return to the Cathedral and Down in the Bonehoard and well, loads of them. The Sword made me break out into goosebumps though because there was a bit where you could hear this creepy giggling which seemed like it was following me about then it suddenly changed to this horrible throaty noise. What made matters worse was that the EAX (bless you Creative) made my foot steps sound like somebody else was there with me. That level was incredible, a bit too incredible as it seems I missed great chunks of it because I was so eager to leave.

    Thief II: The Metal Age – Trail of Blood where you end up in that opening with those damn tree beasts. God the first time I saw one of those hurtling towards me I actually died shortly afterward. Do you remember that Mechanist child walking around on one of the levels? That was a little creepy.

    Then there’s Penumbra: Overture – quite a few bits but I’m not mentioning them here.

    Oh and S.T.A.L.K.E.R. – The brain scorcher lab just because it was so damn quiet. My imagination seriously got the better of me there. Those stuffed animals and heads I’d seen in various buildings led me to believe that those creatures were lurking somewhere in the Zone, specifically that lab.

    @Mike: My control setup was perfect after some tweaking (as well as the simple weapon swing fix). If you ever fancy giving it another go, give me a shout and I’ll let you know my setup.

  • Lewis B

    I’m not sure why guys, but one of my starting paragraphs had gone missing, even though I copied it straight from the original source, and It was fine earlier. 

    Incase you missed it due to some technical issue you might want to re-read just after “Well no she wouldn’t in truth, but in Penumbra: Overture you don’t want to move anyway.” at the very start for those who’ve already read the article. Apologies 🙂

  • Mike "Scout" Gust

    Lewis, it was the weapon swing. It had this terrible, unresponsive feel to it, like trying to hit through molasses. I couldn’t stand using it. I tried the .ini fix as mentioned in the review but it didn’t seem to help. Of course this was the demo…but that shouldn’t have made any difference. I might try the second game instead as I guess they did away with the weapons thing.

    I’m see your first paragraph just fine. It’s the dialogue, right?

  • jdeuel

    I like the argument that weapons can remove fear, but even loaded to the teeth with ammo in AVP’99 the Marine missions were frightful because the enemy was anywhere at any time.

    As for Penumbra Overture, if the controls are anything like the original Penumbra they need to hack in some Wii-Remote 3d controls. I did not like using my mouse for 3d movements.

  • Gregg B

    @Mike: I’ve read that many people avoided conflict altogether in Overture which incidentally is something forced upon you in Black Plague. As somebody who has been renovating a house over the last 6 months with no DIY experience I can safely say that swinging a hammer is significantly easier in real life than it is in Overture without the fix. The fix balanced that for me.

    I’d highly recommend completing the first Penumbra because it’s one big build up to Black Plague which spoils the ending to Overture in the intro. And it’s a great ending too. Just so you know!

  • Lewis B

    @ Steerpike, those moments you mention are all my worst too!!  Do you remember the Robot labs in SS2? Absolutely terrifying, waiting for robots to burst out on you! 🙁 oh and have you ever player Condemned?

    @ Mike, The use of weapons in Penumbra is different to say HL2, where the player is physically holding the weapon, as in Penumbra it floats slightly infront of you.  However, if you change the control method to normal weapon swing, it’s no different!  Speak to Greggi and he’ll tell you what to do 🙂

    @ jdeuel, AVP the original and its sequal were scary however what type of fear do you think it is? I don’t think it’s anything more than sheer tension.  Having a Smart Gun makes you feel incredibly powerful.  I can honestly say in Penumbra the fear is sheer unrivalled terror, where you actually have to force yourself to play on.  It genuinly is that scary! 🙂

  • Jason Dobry

    It’s so true, an arsenal of weapons and ammo rapidly deflates any sense of horror or uneasiness in any game for reasons you already mentioned. Sakey, I thought Bioshock was more “lonely panic,” while I was pretty much always terrified in System Shock 2. I really, really, REALLY did not want to enter The Many’s nursery, and my weapons were so unreliable and ammo so scarce that I never felt safe.

    Silent Hill was terrifying for the same reasons. Ammo was rare and I frequently had to rely on my pipe for self-defense.  Even when I had ammo, the game mechanics prevented my character from being anything other than marginal with any firearm.

    Fear had one moment for me: I was climbing up a ladder, and as I reached the upper platform, my guy briefly looked down as he climbed off. As my perspective looked up again, that Ring-esque little girl was RIGHT THERE, reaching for me. I screamed and she was gone.

    What else…the original Aliens vs. Predator sent me into a locker room and I could only hear the facehuggers scurrying about somewhere within. I had to go in there. I advanced about three steps before the damn thing screamed and filled up my screen with its repulsive underside as it implanted me with its spawn. My roommate made fun of me for weeks for screaming like a girl child.

    Korsakovia–meh.  I was too annoyed and frustrated by the box rearrangement/jumping puzzles to be scared. I uninstalled it after an hour of play, I think. Maybe the scary parts were later, but I doubt it.

    As for Penumbra, I did play through about half of it before other games distracted me. I remember unease and creepiness, but no sweaty fear. I think I’m to blame here, or, more precisely, my daughter, who was still an infant at the time and generally allowed me only to play during the day for 45 minutes at a time. I was denied total immersion and the fear effect suffered. Maybe I should give it another go after I finish Call of Pripyat since she sleeps through the night now. With any luck, Penumbra will keep me from doing the same.

  • Gregg B

    I played the demo of F.E.A.R. but that ladder scare is the only bit I remember. Christ, that made me jump. I’m not too good with cat scares.

    Also I felt exactly the same about Korsakovia. It was creepy at first but then it began to irritate me far too much and it just soured the experience. I stopped playing as a result. Not to mention, when I realised I could bash those smoke-things with my crowbar they didn’t bother me nearly as much.

  • Online Up

    Great article. I look forward to reading more in the future.

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