Darkened Skye Review

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Darkened Skye

Review by Skinny MinnieFebruary 2002

Sometimes you feel like a nut; sometimes you don’t. If you are newer to action/adventure gaming, or if you merely hanker for a rainbow of lighthearted fun to appear as you gaze up at the darkened third-person action/adventure gaming sky, then fire up that mouse and keyboard and get ready for a yummy treat!

Your chef of the day is Skye of Lynlora. She is a newly orphaned shepherdess of dwentils (sheep-like creatures) in a colorful fantasy land where the most exciting event of the year is the annual dwentil-shearing festival. Skye questions whether there is more to life and ponders the meaning of the jeweled medallion that her now-missing mother gave to Skye just before departing on that last fateful journey.  Later, while chasing a dwentil in the fields, Skye happens upon a tiny, round, orange, crispy-chewy object that appears to have fallen right from the heavens. As she picks it up, her shepherdess’s staff suddenly morphs into a gargoyle-tipped weapon of war! It does not take the new resident gargoyle very long to introduce himself, either. His name is Draak, and he not only serves to guide you in your control of Skye, but he also fills you in on the history and the recent happenings of Skye’s homeland as she abandons her dwentils and seeks out a tasteful new life as an adventuress.

Ages ago, the Great Rainbow arched the skies, and from it flowed mysterious colored artifacts that enabled magic spells to be practiced freely by all the world’s inhabitants. All was well until modern times, when the Rainbow was “appropriated” by the villainous Lord Necroth with his Dark Prism. Magic spells have been outlawed, except of course for Lord Necroth’s, and most but not all of the rainbow-colored artifacts are now in his possession. Necroth is obsessed with collecting those few missing delectable confections, er, artifacts, and as such he routinely dispatches his minions to comb the countryside in search of them. If others in the population find those artifacts first, they can still use them to cast magic spells.

Skye’s primary objective is to stop Lord Necroth and restore the Rainbow to the world by gathering one hidden ancient Rainbow Prism piece from each land and assembling a new Rainbow. These pieces were hidden by mages eons before as a precaution in the event of disaster striking the first Rainbow. Skye is aided by Necroth’s AWOL gargoyle Draak, who has “major issues” with Necroth. Skye may also be able to persuade other unhappy inhabitants to join her in her fight against evil, if her puzzle-solving skills can first lend them a hand when they need it. Skye’s secondary objectives are made clearer as the tale progresses: She must find out who her mother really was and also learn about the father she never knew. (Does Darth Vader make a cameo appearance here?  I’m not telling …)

As you take control of Skye in the story, word has already begun to spread concerning your newfound orange treasure. Those aforementioned minions will come after you shortly, so swing that staff and get cracking! Don’t worry if you’re a newer gamer, though, because Skye is quite simply moved around via your keyboard arrow keys and the mouse. Just click the mouse and Skye will also swing her staff to attack. You can program the few keyboard commands to your preference, but the only ones you’ll really do much with outside of the directional keys and the mouse are the Jump and Use commands. Occasionally you will scroll through your simple inventory and spell menus (shown as red and blue banners on the left and right of the screen), but with a little thought and advanced planning it won’t be while under pressure. When coming and going at will through five lands’ worth of 3D wooded hills, oceanic islands, sunny valleys, and swampy marshlands, you’ll be confronting Necroth’s flying vultures, club-wielding herdsmen, court jester-like dwarves, and green poison-ball spewing bugs. They all want your orange object, and a Skittle scuttle, er, I mean a little tussle will ensue whenever they appear.

Other than that, you will need to talk to all creatures great and small because their wisdom and experience in the various intriguing lands will help you to attain your ultimate goal. Don’t worry; the conversations are brief and to the point. There aren’t even conversation trees to wade through. Draak attempts somewhat humorous translations of any unintelligible local dialects.

You should also pick up and collect any items you can for later manipulation or trade, keeping your eyes open for their potential uses later. Most of the quite varied types of inventory items are picked up automatically either when you have Skye run up to them or via nonplayable character interactions in cutscenes. There aren’t many stereotypical door keys here—inventory runs the gamut from fish, carved tablets, ropes, skulls, sponges, and exploding stones to bugs, seashells, garments, and even a venom bottle and a portable time machine! These are mostly used in whimsical but understandable puzzle-solving ways to further the story along and enable the ultimate completion of the Rainbow quest. You may even add to your confection collection if you play your cards right with the locals and take a few leaps of faith as well! Hey, this is Skye of Lynlora we’re talking about here, and her life has a “save the game anywhere” feature, okay?

If you are new to the adventure genre, this game is a great way to get your feet wet, as oodles of basic puzzles abound in it.  Some do get more complicated as the story progresses, but there is Skye’s “Notebook” area in inventory where giveaway hints can be obtained if you do get stuck. The one annoying area for me was a series of three nearly identical forest mazes, which should have been delivered with a map option! You will eventually complete all of your forest quests by playing around with your newly acquired Skittle magic spells, oops, I mean little magic spells, but more real landmarks in the mazes would have made it less aggravating!

Some characters and items glow when they can be interacted with, but others do not give such loud nudges, so feel free to be a little inventive in your investigating! Some characters will respond differently or offer new information depending upon what inventory item you show them. To progress in the story, a giant slingshot needs to be unlocked, correctly armed, and commandeered for Skye’s cause of right. A coded password in a darkened cave must be deciphered and used in another location. Secret paths, doorways, and pedestals must be remotely triggered in up-down-all-around ways, and sometimes you need to creatively hitchhike from one locale to the next.  Paths through the water to various islands can be made with certain collectable, sponge-like objects found spawning across the landscape.  Granted, there are a number of jumping puzzles across the water requiring said sponge-like objects; no Tomb Raider-style super gymnastics are required there, though. That said, most times you are simultaneously under attack by Necroth’s forces while jumping, and you will have a puzzle goal of some sort to accomplish while you are under fire. It is also during those water jumps that you will meet huge, brown, centipede-like creatures who unpredictably whip their long bodies up out of the deep and snap at you as you leap by, attempting to knock you into the water. For you personally, this may not be a problem. However, “Warrior-Hero-Adventurer-Goddess” Skye cannot swim! Conveniently, though, there are one-key shortcuts available for quick save and quick load without ever leaving the game scene.

One of my favorite aspects of Darkened Skye is its humor.  This is one delicious little romp that manages to blend a streamlined, lighthearted atmosphere of fun with comedy in a pleasant way.  It even makes fun of its own candied roots every now and then!  The characters in Darkened Skye don’t manage the depth of emotional range that those from games like Anachronox, The Longest Journey, or Shadow of Destiny deliver, but they are humorous in their own right. Skye herself reminds me a little of April Ryan from The Longest Journey in both looks and attitude, except that she is sometimes more sarcastic. There are also some mysterious soothsayer-type characters in the various lands who reveal little about themselves in the early stages of the game, but they seem to know much about Skye and her family and want to help. Skye even develops an early crush on one of them! You will unravel their mysteries through repetitive contact as the game progresses, too. This game has a more fluid and cohesive storyline than many action/adventures I have played, despite its straightforwardness.  This really is a “people-person” type of game. It’s a little hokey in some spots, but it is more family fare than many games released today, with the possible exception of all of the fighting, which even so is completely devoid of gore. The cutscenes are short but do their part to propel this amusing tale along.

Graphically, the unique 3D characters are brightly detailed and expressive, and the vivid 3D environments invoke realistic feelings for each land. The splashy brown marshlands are alive with jumping fish, swarming bugs, hopping frogs, and swaying lily pads. The hills are rich greens and golds with vibrant orange sunshine beaming from the mountainsides. The oceans are navy and gray, with rocky islands, rolling fog, and misty skies. The forests are dark, thickly settled, and roughly barked. The medieval, castle-like structures house black wrought-iron gates, stone steps, and underground dungeons, all the while floating like islands in the azure seas. All in all, the visuals are a pleasant experience! I really had fun taking screenshots of Darkened Skye, too, especially when trying to get pics of those truly elusive and rarely seen rainbow-colored artifacts!

The modernistic jungle orchestrations change with each of the five lands and are mostly uplifting, only becoming tense in the more challenging battle locales. The sound effects are minimal, but seawater does lap onto the shore or splash underfoot, frogs croak in the ponds, dancing elves play flutes in the forest, and the Heart of the Forest actually does emit a progressively louder heartbeat as you approach it. (It probably should have burst into song with a full brass band after dealing with those mazes to get to it … but I digress.) Actress Linda Larkin’s vocalizations of Skye are quite animated and amusing; Ms. Larkin is known for her previous voiceovers in movies such as Disney’s Aladdin series, where she played Princess Jasmine. Draak’s character is a bit loud and overacted but entertaining at times nonetheless.  Some of the tribal dialects are unique: Fish and mermen bubble their speeches, and magic creatures garble in high-pitched falsettos.

You do pick up more than adequate amounts of health vials and plants as you go along that can be used to offset any damage Skye takes. As far as RPG elements go, this game can only be construed as an “RPG-lite-lite!” There are no buildups of character stats or armor. You will, however, come across mana refills that help to fuel your staff’s magic spells once you create them with those mysterious artifacts you’ve collected. Think of it as filling in the Dots (oops, wrong candy reference there, sorry)! The spells themselves are extremely simple in design and use. They are created by going into spell inventory, and dragging and dropping those artifacts into colored wells below each spell’s name. Then you scroll through inventory to the spell you want, like True Sight (to see hidden items in the landscape) or Prismatic Pulse (a colored spell attack that damages some enemies more than others). Just click the mouse to use any selected spell. You can even combine spells for stronger effects as the game progresses. You do get round, solid white crosshairs when you use the mouse to aim the staff for attack spells, too. By the way, Skye’s health and mana (represented by onscreen red and blue spheres) will both replenish on their own if you wait long enough, but her health especially will take a while.

If you are a somewhat experienced action/adventurer, you won’t find the fighting scenes or the jumping-under-fire areas to be too difficult, but the unpredictable attacks can be fun nonetheless.  The fight scenes do escalate in frequency and intensity as the story nears its end, but tactical maneuvers can lighten the load and lengthen Skye’s life. Some of the enemies can be taken out from afar. At other times, some baddies can be led away from the main group and extinguished separately. Fear not, combat newbies, for you do eventually meet up with some special comrades who will help you in your end battles, and the early worlds really have much more puzzle solving than battling anyway. Darkened Skye starts out in such an easy fashion that you may assume it is targeted only for younger teens and new gamers, but its difficulty does increase somewhat as you progress through the story.

All in all, this is a sweet confection of a game that could have given more to chew on as regards some of the puzzles, but it was still humorous and fun, with some excitement thrown in besides.  Hey, it’s just food for thought, but this was definitely the most subtle and enticing Skittles candy commercial I have ever experienced … Oops, did I give that part away already? The End

The Verdict

The Lowdown

Developer: Boston Animation Publisher: Simon & Schuster Interactive Release Date: January 2002

Available for: Windows

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Screenshots

Skye and Her Staff Squatter Named Draak (click to enlarge) Dig the Soothsayer´s Digs (click to enlarge)Be Sure to Brush and Floss After Every Magic Spell (click to enlarge) Trading Stock—Wall Street in Lynlora (click to enlarge)Skye Plays a Puzzling Tune on Her Flute (click to enlarge) The Looks of Ogmire´s Fish Will Turn You Vegetarian (click to enlarge)Did I Mention the Under-Seige Jumping Puzzles? (click to enlarge) A Fishy Puzzle from a Tikini Swamp Elf (click to enlarge)Of Course There Is a Magical Merlin to Help You Bag the Rainbow (click to enlarge) Puzzling Tradesmen (click to enlarge)Go Lara Go! I Mean ... Go Skye Go! (click to enlarge) Warrior-Hero-Adventure-Goddess-Who-Can´t-Swim Meets Perceptive Bad Guy (click to enlarge)Soothsayer Dorian = Skye´s Crush or Darth Vader in Disguise—You Decide Welcome to Ogmire City—Home of the Court Jester-Like Baddies (click to enlarge)You´ll Be Laughing in the Face of Death ... I Jest You Not Skye Can Spell Jester (click to enlarge)One of the Rare Skittles Cameo Appearances in This Game! (click to enlarge) Whale Spittle Skittle—But Hey ... Green Apple Is a Limited-Time-Only Flavor! (click to enlarge)Die-katana Will Ya! Bugs Attack During Jumping (click to enlarge) Well ... Think of it as Jumping for Joy That There Aren´t Any Baddies Here (click to enlarge)Er ... They´re Not Jumping Puzzles ... They´re Just Switch-Activated Platforms You Leap Across (click to enlarge) Secrets Appear Using the True Sight Spell (click to enlarge)Can You Spell Skittles? (click to enlarge) Skye´s Mental Notes Transcribed Courtesy of El Dorado´s Miguel and Tulio (click to enlarge)

System Requirements

Win98/ME/2000/XP Direct X 8.0 or higher (included on disk) Pentium II 350 MHz (Pentium III 500 MHz recommended) 64 MB RAM (128 MB RAM recommended) 8 MB video card (16 MB recommended) Install requires 400 MB of free hard disk space (600 MB for full install) Gamepad or joystick optional

Where to Find It

Links provided for informational purposes only.  FFC makes no warranty with regard to any transaction entered into by any party(ies).

      Copyright © Electric Eye Productions.  All rights reserved.  No reproduction in whole or in part without express written permission.

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16 Responses to Screw the Internet

  • Matt "Steerpike" Sakey

    God damn, Scout, I’d never heard of this Lanier fellow, but that’s pretty profound.

    Information is not a manufacturable item… as you said, we are making less and less. This is either indicative of a larger-scale societal transformation, or a bad thing. I’m afraid I’m inclined to assumed the latter.

    Thanks!

  • Mike "Scout" Gust

    Steerpike, that was exactly the argument Lanier was having with callers on the BBC. Lanier was all fatalistic about society’s drop in real productivity while his opponents claimed that this was a huge transformation and that he was just too old to grasp the coolness of it all. If you notice, the web address of that first Lanier link is well.com. I mean, that is old! The Well?

    Lanier’s thoughts were pretty much echoed by David Simon, one of the creators of The Wire. Here he speaks with Bill Moyers about the fate of paid journalism in the face of the web.

  • Spike

    I’ve read many criticisms of Facebook et. al.  I’ve also read contradictions of those criticisms, namely, that social sites are making people more connected than ever.  I think that that connectedness is an illusion.

    For several months at the end of 2008 and the beginning of 2009 my daughter badgered me to join FB.  I could connect with her and some of her friends that I know as well as renew old acquaintances with some of her friend’s mothers.  I finally signed up so she’d quit the badgering. I used to check in every day to see what daughter and friends were saying because if I didn’t she’d ask if I saw her post, or a friend’s post. 

    What I’ve learned is this:

    1.  “Karen Likes John’s photo (or post)” IS NOT communication.

    2.  The reason I lost contact with some of these “friends” in the first place is that we no longer had anything in common.

    3.  I am bombarded with so many ads in so many places that I can do without more.  My policy is to never click on ads on FB or on many other sites. 

    4.  While FB’s original mission was connectedness/communication, I think it has become “Let’s make as much money from these fools as we can.”  “Wanna have gobs of fun playing a free game on FB?”  That game is gonna cost ya big, folks. 

    5.  Social sites are just more places where your personal info can be stolen.  There’s enough risk out there as it is.  Additional risk is not providing any valuable payoff for me.

    6.  Why do I want to “friend” a certain handbag manufacturer?  Why do I want to take a quiz that tells me what my personality is?  FB content providers tell you up front that if you click the link to take their quiz (goes for other types of content as well) you are giving them permission to access your profile info.  That’s ok.  I’ll also give you my SSN, bank account number and the key to my front door.  Not.

    7.  Don’t even get me started on the number of people who start an account in a pet’s name, and even have the pets making friends and posting.

    “…he was just too old to grasp the coolness of it all.”

    No, it’s just that most of us get to the age when we demand a bit of wheat with our chaff.

    At 38 my daughter is older than the average demographic of social sites although I know that that demographic is skewing up.  She seems to be cooling on FB.  Some of her 221 friends are as well.  Many of them do want some wheat.  When more cooling has taken place I will unjoin.

    I wonder, though, what new fad will come along when FB, Twitter and others run their course?  MySpace, anyone?

  • Mike "Scout" Gust

    My favorite line from the BBC interview was when Lanier was comparing MySpace and Facebook. He admitted that MySpace had some eye gougingly bad pages but said that he liked the “strangeness” of personalities that you get with it. With Facebook, he claimed that it was like looking at a tax form. A boring, watered down, bland presentation of people.

    I joined Facebook almost exactly a year ago. Apart from sparking up a new friendship with a very dear buddy, I’ve gotten about zero back from it. I sort of read with bemusement the activities of people I hardly know and could care less about. And when you consider how much information the devs harvest there…it’s scary. Lanier claims that the information is so far worthless to the investors and that the whole thing has become a sort useless ritual serving no purpose. He claimed that Google’s ads on the other hand will probably turn out to be the greatest advertising model ever created. He also thinks Google should stop before it’s too late but says they probably won’t. Just a glance at the side bar reveals about 4 ads for advertising agencies. Heh.

  • lokimotive

    Has anybody read Anti-Oedipus? I’m slogging my way through it (the third attempt I believe), and Deleuze and Gauttari’s ideas seem relevant to this in a way that I’m not sure I can articulate. This probably has something to do with a conversation I was eavesdropping on that, coincidentally, mentioned a lot of Deleuze and Gauttari’s theories. Someone was talking about another theorist (whose name I didn’t catch) who was defending “Generation Y” essentially. The argument went that Generation Y is an example of a “de-Oedipalized” cultural group (that’s Anti-Oedipus jargon, just stay with me). Apparently this meant that they made connections in a different manner than other generations, the idea of bricollage was brought up and things were generally mired in a lot of reasons why I don’t have my Masters in English. What I got from it was this Generation Y shoots out connections everywhere and attempts to make up a whole idea with them as opposed to relying on predefined pathways. In Deleuze and Guattari’s language: the schizo as opposed to Oedipus. In language that probably makes sense: Peer to Peer as opposed to client-server.

    So, of course, no one’s really right. I’m skeptical of the idea that Generation Y (full disclosure: I’m 29 so I’m part of that group) has enacted some sort of paradigm shift in how to operate in social systems, but facebook has changed how I connect with people. Then again, it’s not like I don’t value face to face communication.

    The future is somewhere in between. I’m really not cynical enough to believe that we are at the end times of civilized society because of Web 2.0. Instead society will change and stay the same because that’s what it does. Facebook is not the future; it’s probably a rung up the ladder though.

  • kaythomas

    To me, Facebook and Twitter are 0’s. They are not worth my time.  I do not care what someone I know or don’t know did a half hour ago or will do next.  I have met up with people on facebook I had lost contact with.  But, in truth, the reason I had lost contact was I was not that interested in staying in contact.

    I think for many people the Facebook/Twitter world is great.  For me it has nothing to offer. 
    kay

  • Matt "Steerpike" Sakey

    Tap has an automated device that twits… tweets… whatever whenever someone posts a new article. Just in case it draws some visitors.

    To be honest, though, I’m on Kay’s side of the fence, I don’t understand Twitter and I don’t understand why it’s so popular. I barely care what I’m doing from moment to moment, why should anyone else?

    I don’t get Facebook either, though I’m a member to keep track of all the girls who wouldn’t give me the time of day in high school.

  • Lewis B

    Tweets are great for giving me snippets of news.  If I like what I’ve read in the short paragraph tweets give, then I will visit the main page for that tweet. (Very good for following world news, favourite columnists, etc.)

    However, reading tweets from people such as “Just woke up, Madonna is giving me a massage while I shave my nuts” is not my idea of a good read.

  • Toger

    I use tweets the same way Lewis does. Of the people/things I follow, if the tweet is interesting I’ll follow the link to read the entire article. I follow fairly intelligent people, so I’m not subjected to the idiocy of “Just brushed my teeth while sitting on toilet”.

  • Gregg B

    @loki: I’m afraid I’ve not heard of them. I’m a couple of years below you so that puts me in the same Generation Y as well. I read through a few of those links Scout posted as well as a few more on Lanier’s new book “You Are Not a Gadget” and it took me a fair while to get to the crux of what he is saying and he has a lot to say, most of which I find very confusing.

    As a graphic designer the whole “everything is becoming advertising” thing has been bothering me for years. The incessant barrage of advertising is like fingernails on the chalkboard of my soul, which sort of makes me a hypocrite. After all the years of tuning my art and design skillz my creative abilities have amounted to nothing more than crafting pretty ads that sell things. Non of it speaks any truth or has any sort of ‘beauty’; it’s just stone cold mechanical capitalism. Granted there are ads out there that are beautiful, clever and visionary but the front line stuff is as dull as it gets. I’m sure this isn’t strictly what he’s getting at but it’s definitely something that irks me in relation to Scout’s last remark.

    Anyway, I remember Twitter just exploding in what seemed like the space of a week and I still can’t fathom the allure of it aside from providing a direct stream of consciousness from famous folk to their ravenous fans. I wish I’d thought of it to be honest. I can see the creators sitting around a table staring at Facebook and then saying “I know! We make a website that’s just about status updates! You can even update them with your mobile phone!”.

    With regards to Twitter news snippets, unless it’s for a phone, I don’t see the point because RSS feeds do a great job. At present too great; I simply can’t keep up with my subscriptions. There’s too much information on this super highway.

  • Jen

    Twitter is officially the dumbest thing ever.

    That said, it looks like I will have to be the official “tweeter” for my day job before too long. I can’t wait! (roll eyes)

  • xtal

    I’m with everyone else here. I’m glad to say I’ve never signed up for Facebook; I fear that if I ever had I would have long ago died from loss of brain cells due to reading moronic status updates. It’s as Kay said: ninety-five per cent of people with whom you lose contact are probably no longer in your life because you have nothing left in common. And echoing Steerpike’s comment, me eating toast and jam on a Sunday morning watching Fawlty Towers is not interesting, not to me. Why the hell would anyone else give a shit?

    Twitter I signed up for about a year ago, not really understanding what it was. I now understand it…but don’t care to use it often. I have made 58 tweets over that year. I suspect for some that is a daily or weekly average. It’s just Facebook status updates without all the drunken photographs. I admit it can be mildly useful for following, say, a news site. Usually when I hop on my twitter (once every two weeks??) it reminds me that I should read The Onion more often. That’s about it.

    Let’s see… looking at the actual humans I follow, um… Wil Wheaton is happy that the LA Kings have won 9 games in a row, my sister-in-law thought our dinner tonight was “delicious,” and Kevin Smith’s batteries are recharged … or something.

    Wow, my life is already getting better!

    p.s.  <—– Gen Y'er (can we call ourselves that?) and proud that when I Google my own name a real estate company pops up.

  • Fraser

    Twitter is exactly as useless as the person who’s writing it. If someone is telling you boring shit over Twitter, it’s the person wasting your time, not the delivery channel.

    MySpace is the same, but it seems more intrinsically garbage because for some reason almost everyone who used it was an intellectual embryo with a fetish for unreadable hyperneon text on top of garish uninteresting photos. Facebook’s great trick is that it prevents you from realising that most of your friends would make a brutally hideous homepage for themselves if they could.

    That’s the argument against the whole of this post: the internet isn’t evil, but the people who use it might be. It’s people who make business models successful; people who make money flow to advertisers instead of artists, by buying into the advertising.

    This has been a pretty didactic post, so let me compensate by saying VIDEOGAMES WOOOOOOO!!!

  • Gregg B

    Good point about not blaming the delivery channel Fraser. I seem to recall Lanier saying that he preferred the personality that MySpace has over Facebook despite its Craptastic Pages of Illegibility. I’m trying to think of something intelligent to follow that up with but my brain is failing me at the moment, so…

    VIDEOGAMES WOOOOOO!!!

  • Jason Venter

    Fraser, I really loved your following comment:

    “Facebook’s great trick is that it prevents you from realising that most of your friends would make a brutally hideous homepage for themselves if they could.”

    I think that may just be one of the most hilariously true comments I’ve read in a comments area on any video game web site ever.  That sounds overly dramatic, I know, but I actually mean it.  Kudos to you!

  • Mike "Scout" Gust

    Yeah but don’t you miss all the ugliness of MySpace? All those hideous pages at least had personality or what Lanier called the “strangeness of the person” to them.

    I actually don’t agree with a lot of what Lanier says esp “the hive mind must die” stuff. But I do think he is right about the spirit shriveling blandness of Facebook.

    I also suspect that Twitter is going to be around for a while. It will be more and more influential. People are simply not as willing to ingest huge amounts of information in the form of pages of text anymore. The delivery systems that succeed will be those that can communicate a lot of information in a short amount of time. Most days we want “glimpses” or “snapshots” not total immersion. Lewis, Toger and Fraser are correct in that you get out of it what you decide to follow.

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