Ukrainian developer 4A Games took advantage of E3 to pre-pimp their work in Metro: Exodus, the third interactive installment and member of the growing cross-media phenomenon that began with Dmitry Glukhovksy’s brilliant novel Metro 2033. Let’s recap before the news.
It’s been not two but three weeks since our last On Tap, because, like, sometimes Dix gets lazy. In that time, one of this console generation’s first anticipated releases has hit with Watch Dogs, and proved that we’ll likely have no shortage of sociopathic protagonists in case anyone was worried; LeVar Burton and Reading Rainbow blew the lid off Kickstarter by getting all the money; and everyone’s been placing their obligatory E3 bets.
But since we have a little time to kill before Geordi can once again read us to sleep, we’ve had to turn to the comforting embrace of these games…
…most of the traditional “review” stuff is in the video portion; if for some reason you dislike videos and prefer not to read the many words, here’s a sum-up: 4A Games done brung it good. Were this year’s competition less stiff, Last Light could, flaws and all, easily contend for Game of the Year.
Now here’s a funny thing: this article has absolutely nothing to do with what I’d originally planned. But this is a situation where the story changes in telling, rather than an editor telling you to change the story. In a nutshell, this month’s Culture Clash column for the International Game Developers Association was meant to talk about the portrayal of sexual violence in literary media, using the two movies I mention below as a basis.
But the piece just wasn’t working. I have strong opinions on the subject but despite knowing a great many words, my strong opinions weren’t coming out the way I wanted them to. So I took a walk, and as so often happens, a completely different concept with the same building blocks popped into my head. That’s what you see here. I hope it’s more than just another article about the debate over “fun,” or at least another way of framing it, but I leave that to your judgment. Enjoy!
I was playing through Aliens vs. Predator the other night when I saw my good friend and gaming insider Matt Sakey (a.k.a. Steerpike) on Steam. Ah, Steam. You allow me to intrude on my friends at my whim. I sent Sakey a one-sentence review of Metro 2033: “I’m punishing Metro 2033 for being a stupid, stupid game. STOOPID.” To his credit, Matt did not immediately log off and instead responded: “Is that stoopid as in …
It’s mortifying to be cheated and robbed by a hooker in a videogame. I mean, sure, if it happens in real life, I guess it’s to be expected. But when you’re playing a game where survival is a daily challenge, where ammunition is money and money is scarce, knowingly paying a whore for some sweet loving is kind of like inviting failure. It’s not my fault, though, I am a sucker for Russian accents. I …
So Oles Shishkovtsov, CTO of 4A Games – the new Ukrainian developer behind the upcoming Metro 2033 – has reiterated his insistence that S.T.A.L.K.E.R.’s (proprietary) X-Ray engine is not being used, in whole or in part, on Metro 2033. Of course, Shishkovtsov created the X-Ray engine, and left GSC Game World just before the first STALKER game shipped. And I hate to say it, but Metro 2033 looks a lot like STALKER. A lot. Not …
Looks like the joint publishing venture between THQ and Russian 1C company is about to come to fruition: 4A Games’ Metro 2033, based on a Russian novel series of the same title, is nearing completion and will find its way to Westerm shores (hopefully with that great voice actor narrating) sometime in 2010. Metro 2033 tells the tales of a postapocalyptic Moscow, where citizens hundle in the subterranean Metro system, and hints at a game …