I’ve accidentally lost a couple of late nights to Hyrule Warriors, because of the powerful compulsion to play “just one more map.” Sometimes I’m saved by the battery life on the WiiU controller. So in spite of the few things I’m iffy on, I’m pretty sure I love this game.
A new year brings some new editions of my Local Flavor series, where I talk about and with local game studios on the east coast, especially indies, and especially around my home base of Philadelphia. In this article, I’m chatting with local shop QuadraTron Games, a team that works out of the Philly Game Forge co-working space. My questions were answered by studio head programmer Zenas Bellace, who moved into game making full time in 2013, with a little input from the rest of the studio. Q&A after the jump!
Joel Goodwin and I are now nine whole Great British episodes into our collaborative video series Side by Side which aims to cover an assortment of local multiplayer games both old and new, from the familar to the foreign, the physical to the frightening. If you haven’t checked it out yet then here’s a slice of what you’ve been missing:
2014 was the year I took a step back from writing and dug into my backlog without worrying too much about whether I should pen my thoughts or not. Yet, despite playing more than usual, this list is somewhat shorter than my previous years’. That probably makes it about normal size then.
If you’re a Tap-Repeatedly veteran you know our Game of the Year lists are not always lists, not always games, and almost never devoted entirely to the previous year. This year, when discussion about the feature began shortly before Christmas, everyone said it had been a bad year for games. “I don’t know what I’ll write about,” they moaned, meaning what games. Me, I worried I wouldn’t know how to write about them. It’s a feeling I’ve become familiar with in the last twelve months, to my sorrow and my detriment.
Hi Tappers! Thanks for tuning in for our Games of the Year lists. Once again it seems like I’m the one to kick this series off here in January, so let’s ring in the new year and with a list of my favorite or most interesting games of 2014.
At first impression, Bravely Default is actually terrible. It is the JRPG that Zynga would make. … the story is the most generic JRPG tale possible, an epic where one must take a magical priestess and her fairy sidekick to a temple to “Activate the Wind Crystal” and then three other elemental crystals of increasing power thereafter.
I knew, hour one, that I was going to play it for a hundred hours anyway.
After an abrupt collapse in 2010, it would seem that STALKER developer GSC Game World is back. At least, there are people saying it’s back, and doing interviews to that effect. But I’ve long since abandoned any illusions that reality will influence the state of things in Ukrainian game development.
Dejobaan Games is a Boston-based indie studio. They have a sharp sense of humor, and I like their work, in theory, which is why I am on their mailing list. I don’t like their work generally in practice, however, for one simple reason: I get simulation-based motion sickness, and a game about base-jumping off of high structures for points sets that off in about thirty minutes, never even mind the Oculus Rift. When even The Wonderful End of the World forced me give up and have a liedown, I thought I might have to give up on this studio’s work altogether.
But then I was offered a chance to try out Elegy For a Dead World, created by Dejobaan and Popcannibal, and I jumped at it. I’d tried the game out at conferences previously, and the premise intrigued me. This is A Game About Writing. I like writing!
This is a special edition of Local Flavor. Instead of visiting a game studio, I went out to Washington, DC with my co-worker Shahed Chowdhuri, to visit Children’s National Health System and the Sheikh Zayed Institute for Pediatric Surgical Innovation.
So how is this relevant to games? In an amazing way. The Sheikh Zayed Institute for Pediatric Surgical Innovation is using video game technology to drive innovation in pain detection and management in children. Or to put it even more simply: games for healing.
Shahed and I spoke with Christy Baxter and Dr. Julie Finkel at the organization to learn more about their use of gaming technology to help children. In the process, we learned a lot about how pain works, and a lot about what Children’s National is doing to fight it.