Last week saw the release of Moebius: Empire Rising, an adventure game along the vein of Gabriel Knight, with some of the same pedigree. Specifically, the game is written by Jane Jensen and developed through her Pinkerton Studios label, published by Phoenix Online Studios. Phoenix Online previously worked on the Cognition series that I found so compelling last year, so I’ve been following their other work and I previewed a lot of their games at GDC this year. I was looking forward to Moebius when it was announced, and let me just say: this is an interesting one. But not at first glance. You have to dig deeper.
I really like Escape Goat 2 and I think you might too. When it’s not pissing me off, anyway, which it did do frequently. Still, it’s a snack-like game and even when it’s frustrating, it’s so friendly and colorful that it’s hard to hold a grudge.
I’ve been really busy lately, so I’m going to step up to the plate and bunt.
If you like South Park, the TV show, you’ll like South Park: The Stick of Truth. If you don’t like South Park, the TV show, you won’t like South Park: The Stick of Truth.
…a distillation of everything Naughty Dog has come to do so very right.
The Castle Doctrine is probably one of the most cynical and brutal games I’ve ever played. I bought it for a few reasons: the premise sounded fascinating, it’s by Jason Rohrer who was responsible for Passage, Sleep Is Death, Inside a Star-filled Sky and Gravitation (amongst others), and it was 50% off and due to go full price a few days later to coincide with the game’s release. According to Rohrer the game will never go on sale again so it was as good a time as any to check it out.
It’s a rough game to start though, and if you don’t know what the game is about then stick with me here, you’ll be perfect to illustrate this to.
There is a lonely house to the south of Hyrule Castle, perplexingly positioned atop a small hill for no apparent reason other than its fairly central location in the realm. The house has been there for at least two hundred years. It is not obviously part of Kakariko Village, to the west, nor is it, in any special way, associated with Hyrule Castle itself – although its occupants tend to end up there in times of need.
I managed to dip into a version of Proteus a few years ago, at least I think it was a few years ago, I can’t quite remember– time seems to go so fast these days. It was an early build anyway, and I didn’t play it for long because I’m not a fan of playing betas or alphas when there are so many finished games out there already, all vying for my time and attention. My brief jolly through its crisp, bright sprite-encrusted landscapes however, was enough to put it firmly on my map. Even then it had a hypnotically calming air about it, and following Joel Goodwin’s adorable video of him and his little boy playing it together I only wanted to play it more.
If you liked Braid, you’ll probably enjoy The Bridge. It is not by the same creative team, but in terms of mechanics, aesthetics, and structure, it may as well be called Braid 2: the Braidening, Braid Strikes Back.
I’m hurtling down a country highway in an old, beat up station wagon; a pack of ravenous undead cling to the outside and try to claw their way in, all while the vehicle is engulfed in flames. They break in and quickly rip out this poor survivor; the car rolls into a tree, a blazing inferno. Four, five, six, maybe more of the “reanimated” pounce on the driver – this is not Ed Jones’ day. Suddenly, a bright and glorious flash of orange incinerates the attackers granting them their second death. Ed stands up – he still has two legs to do so – and surveys the wreckage: what was seconds ago his coffin on wheels, now his saviour. He’s nowhere near unscathed, but he’s still breathing and that counts. Time to head home.
This is just one of an infinite possibility of harrowing scenarios in Trumball Valley.
State of Decay might just be the Zombocalypse game you didn’t know you were waiting for.
Maybe this is a curse of third Batman things: Arkham Origins is to the Arkham series what The Dark Knight Rises is to Christopher Nolan’s trilogy: the biggest, but probably the weakest, of a series of very good things. Arkham Origins is objectively a pretty good game, but that mostly comes from what it preserves from its predecessors, because it makes very few attempts at expanding that formula.