Maximo: Ghosts to Glory Review

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            Maximo: Ghosts to Glory

Review by Skinny MinnieApril 2002

The Fable: King Me, Check Her!

Once upon a time there lived a spunky young king named Maximo who ruled over five colorful and whimsical three-dimensional lands.  Whenever this king was off fighting distant wars to protect his kingdom, the court at Castle Maximo was controlled by a council of four lovely Sorceresses. At these times, court advisor Sorcerer Achille would watch over Princess Sophia, Maximo’s betrothed. 

After emerging victorious in battles far and wide, Maximo returned home one stormy night. Unlocking the gilded gates to his illustrious abode, he had nary a clue that his beloved lands had recently been cursed. A reality smack came from just inside his front door in the form of Sorcerer Achille’s magical scepter, which killed Maximo and sent him hurtling into the afterlife. In Maximo’s absence, Achille had forced Sophia into unholy matrimony and set himself up as the new king, locking the four governing Sorceresses away at the farthest reaches of the kingdom!

Achille had also used his powerful magic to drill an immense hole right down to the underworld. He drew up all manner of souls and created an undead army to help him protect his unrightfully claimed lands. This upheaval to the Hereafter did not escape the notice of the sarcastic but amenable Grim Reaper, who also witnessed the untimely demise of King Maximo. Grimmy, realizing that his own job could soon be in peril as there were less and less souls to govern, struck up a deal with the great warrior. Grim would send the king back to his own world, in exchange for the promise that Maximo would stop Achille. Besides sparing his life, Grim promised that an additional debt of gratitude would be paid if Maximo was successful. Our hero was also told to find and free the four imprisoned Sorceresses, as they would be his best chance of help with this Herculean task …

Game Play Heyday …

After the graphically impressive and intriguing opening cutscenes, our charismatic 3D hero is deposited into the first transformed world, now known as the Boneyard. In this foggy burial land you will find classic platform “koins” scattered about, but as soon as you direct Maximo in the third person toward them for automatic pickup, the thrills begin! Mountains lurch up out of nowhere or the terrain cracks wide open right underneath our hero’s boots, revealing fiery lava pits that require quick reflexes to avoid falling into! New secret passages are unearthed and the previous ways blocked or lost in sudden landslides. Bell-clanging stone towers spurt up as Maximo approaches, tossing dangerous groups of glowing purple skulls that crunch as they bounce down hills. Black tar acts as quicksand if Maximo pauses as he strides through it, and deadly, bubbling red lava contains bobbing paths of floating wooden coffins.

As you progress through this game you will also encounter many of Achille’s comical, cartoon-like, brightly rendered minions.  Cackling, cloaked wizards pop out of treasure chests and cast temporary, colorful bubbling spells on our hero that turn him into a limping old man or a creeping baby. Plant pods rise up from the bogs and burst open to reveal facetious, long-haired hippie creatures! Purplish sections of cemetery land sport bony remains that break through the earth and try pulling Maximo in as he passes. Lush tropical jungles harbor both mobile thorny overgrowth and giant purple flowers that arise and spit forth spinning, chomping, red and yellow fish! Goat devils attack on green plateaus, and doomed souls lift Maximo off golden masonry suspended over fire and brimstone, depositing our wriggling hero into deadly endless voids! Sword-wielding skeletons spontaneously generate from underground, sporting colorful shields or even pirate attire. Translucent green waters ripple with scaly crocodiles and bomb-throwing swamp zombies.

There are, however, redeeming qualities to this fighting even if you are an inexperienced or unwilling action gamer. Enemies have limited areas they patrol and they will stay confined to these places for one thing. You can often lure them to the outer fringes of their little territories one by one to make confrontations easier, or you can run out of range entirely for a breather. Baddies do not regenerate once felled, so Maximo will then be free to explore an area fully or even backtrack to a scene later for hoarded power-ups. You can even choose to send Maximo running or jumping right past the baddies and they won’t follow him very far, though you’ll miss a lot of pickups (and lower your score for a level) if you do. Finally, there is a complete lack of gore in this game, making it more suitable for families.

Your coordination and strategic abilities will not only be tested in battling Achille’s otherworldly armies, but also in leaping on to both static and moving objects like tortoises, coffins, tree trunks, statues, slippery ice, and abominably shaped stones.  Even as these objects must be landed on, you will be leaping to them over deadly boiling lava, fiery flames, claw-snapping traps, oceanic whirlpools, and tentacle-laden marshes. As challenging as some of these areas are, Maximo himself does give physical and aural warnings should he be on the verge of potentially plummeting to his doom. Even if he does wave his arms around, yell “Whoa!”  and then fall off of a large precipice, quick reflexes on the jump button while spinning him around will land him back on the solid ground from whence he fell. Although the amazing Maximo can begin a jump even if he is already falling in midair, short plunges to his doom usually can’t be recovered from.

Try Some Puzzles for a Spell …

Plot-twisting, steadily increasing, pulse-pounding action does abound in this title, but puzzle-solving and thoughtful, thorough exploring are also keys to your success. Certain secret pathways can only be discovered by jumping from tombstones, fountains, trees, hills, or bridges up to barely accessible heights and surveying the surroundings from above. Temples have rainbow-colored stained glass portraits that can be broken and leapt right through, revealing hidden rooms and power-ups. Certain gates harboring treasures can be unlocked with keys found on expired baddies, but others require the use of brainpower to discover alternate entryways.  There are stony hills hiding blocked caves that can reveal goodies when slashed open. Other treasures are secreted on tough-to-reach precipices. Pickups can also be found in buried treasure chests that Maximo can unearth by jumping around randomly at various locations, and still others are dropped by fallen enemies.

The pickups themselves include armor, specialized keys, diamonds, and red hearts that represent extra lives. You will also occasionally find coveted sword enhancements like the Frostbiter, the Flame Tongue, Armageddon, or Pure Blade, which deplete with use. Special magic spells are also dropped by extinguished enemies; these can produce unique magical attacks or even temporary invincibility.  The hard-to-find Mask of Sorrow, for example, can be used when maximum armor is worn. This temporarily turns Maximo into a green demon who is able to extinguish whole groups of enemies instantly.  With the Shield of Midas, Maximo can draw diamonds or koins into inventory that would otherwise be out of reach. Some sword enhancement refills and armor can also be bought if enough koins are collected.  You can “lock in” limited numbers of magic spells to keep them, but you will lose all others any time Maximo dies, so choose wisely. The game is intuitive to jump right in and play, but the amount and sheer variation of powers available as you progress adds greater complexity and strategy to this title.

Every land also has differently shaped “spirit containers,” appearing as bubbly tombstones, glowing toilet bowls, blue flame-spouting brass vases, and cute, icy snowmen with pirate hooks! Breaking them open reveals blue angel spirits that can be caught and turned into red koins that the Grim Reaper will take in exchange for another chance at life, should Maximo lose all the extra lives he has gathered. Beware though, as blue angel-stealing ghosts lurk about who will attempt to pass through Maximo and raid his angel inventory!

How the King Is Reigned In …

As you control Maximo through each of the five vividly detailed 3D lands, you will use simple PS2 button commands. These cause Maximo to jump, slash with his sword to attack Achille’s minions, and block enemy blows with his shield. Maximo can also throw his shield like a long-range boomerang at a distant or hard-to-reach enemy, and he will catch it again automatically. The left analog stick moves Maximo in all directions at a walk or a run depending upon how hard you push it. The commands are basic, can be repeated quickly for a double jump or double slash, and can be combined for more complex overhead or spinning strikes. Special magical power-ups taken into inventory are used with these same four buttons.  One additional trigger button centers the view back directly behind Maximo a little more quickly than the camera would normally follow, and another trigger can be used to look around without other movement.

Not One Bungle in the Fungal Jungle …

All five vast worlds to be conquered are unusual and exceptional, not just in gameplay but in graphics and sound. Besides the foggy, stony spookiness of the Boneyard, there is Great Dank (a gorgeous tropical jungle complete with flowing green water, stone temples, bamboo huts, and pretty trees sporting coral fungal “steps”), Frozen Wastes (a blue and white arctic backdrop of snowy mountains and icy caves with a large skeleton-pirate ship), Realm of Spirits (a fiery underworld setting for pig devils, dragons, swirling axes, and swinging pendulums), and finally a siege on Castle Maximo itself.

Excellent sound effects and visual clues are used optimally as regards each unique enemy’s groans and gurgles; you will see bubbles in the swamp and hear a crocodile’s growl before it emerges. You will see a neon green haze and hear the “Polterghost” moan, the wind he stirs up whispering along behind him, before he soars through Maximo and casts his vertigo/sleepwalker spell on the king. Other sound effects offered include swords clanging, water rushing, bluebirds cawing, and skeleton bones crunching as the skeletons run! The unforgettable music matches each land to a “T,” being whimsical yet spooky for the main burial land hook, then replete with jungle sounds and voodoo drums in one land or full of yo-ho-ho pirate-like adventure in the next.  No matter what, the score is always extremely appropriate and highly entertaining.

This Land Is Your Land, this Land Is My Land … So Beat It, Achille!

Most lands contain five levels as well as a final boss. The first four lands’ oversized bosses guard one each of the four Sorceresses, and all bosses require different tactics to eliminate. As you rescue the Sorceresses, each one in turn will offer you advice and a gift: a kiss (collecting all four kisses and locking them in will garner you a special prize at the end), armor, or an extra save. You won’t face Achille and his demonic drill or rescue Princess Sophia until all lands and other bosses are conquered first.

Each land also includes one place you can return to at level’s end to save your game, which costs 100 koins per save. Before any level ends, you are subsisting on checkpoints that you lose once all your lives are depleted and you visit the inimitable Grim, passing him more red koins with every few visits. Every time you finish a level you are given statistics on what percentage of it you discovered compared to how much there really is. If you want to better your score on any finished level of a land you’re in, you can travel back for a replay from the save area without penalty. If that level is in another land, you can still access it but it will cost you 100 koins for travel each way.

The Plot Does Thicken …

One thing I loved about this high-octane game was that the plot was continually referenced in cutscenes as the Sorceresses were rescued one by one. At the end of one level, Achille punished a skeleton captain for failing to kill Maximo. Achille brought that skeleton back to life, then commanded his forces to torture said captain until he died once more! In another level, three of the rescued Sorceresses were together when Achille magically appeared. He was holding the fourth Sorceress, Sephonie, whom he had just murdered! As Achille made off with Sephonie’s body, an angered Grimmy appeared and helped Maximo to follow Achille to the spirit world (Realm of Spirits) so Maximo could attempt to retrieve the Sorceress … The final ending was a real lulu as well … Speaking of which, was that actually a spiky black tail I saw poking out of Princess Sophia’s dress, or was it just a hallucination brought on by my perpetual state of hyperventilation?  Don’t you worry, because the plot did indeed twist more times than the hips of Mamba Marie the Swamp Sorceress, and Grimmy said he’d owe you big time when all was said and done, remember?

No Matter How You Slice it, King Maximo Rules!

Maximo: Ghosts to Glory is one of the most addicting, angering, exciting, and unforgiving-as-all-get-out (when jumping onto moving targets) games that I have ever played! There is never a dull moment, and it truly sparkles with creative, unique, progressively more challenging twists and turns around every corner. I never played Capcom’s original NES Ghouls and Ghosts or Ghosts and Goblins games on which they loosely based Maximo: Ghosts to Glory, so I can’t compare them, but I’ve heard the originals were more difficult than this new offering. You may find anyway that you must replay a level multiple times to complete it, and completion may be barely by the seat of Maximo’s adorable heart-print boxer shorts at that! Maximo can sport up to four levels of armor, which in my case got cut right down to his skivvies by enemy blows more times than I care to remember!

As a matter of fact, I would have had this review finished far sooner, except my sword kept slicing up the paper too much! Somebody please help me; I just have to put this game away! If I don’t, I’ll be inexcusably late for my Maximo Anonymous meeting … The End

The Verdict

Coveted One-of-a-Kind Sparkly Gold Star!

The Lowdown

Developer: Capcom Publisher: Capcom Release Date: February 2002

Available for: PlayStation 2

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      Copyright © Electric Eye Productions.  All rights reserved.  No reproduction in whole or in part without express written permission.

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14 Responses to Fear Factor

  • Fear Factor | Tap-Repeatedly.com | Reality Topics Blog

    […] nobody@flickr.com (graftedno1) wrote a very interesting post today.   Here’s a quick excerpt:My greatest fear is to be trapped alone in a confined space with a blind human, in total darkness. They have a heightened sense of smell and hearing, and. […]

  • Matt "Steerpike" Sakey

    Lewis, you made me think of the scariest moments I’ve experienced in gaming, and we’re very similar people.

    Bioshock had two moments – the dentist and the flooded room filled with mannequins.

    Thief had Return to the Cathedral, which was terrifying to me. Thief 3 had Shalebridge Cradle, which is so scary it ought to be fined.

    System Shock 2 kept me on the edge of my seat, but it was more lonely panic than true fear.

    Korsakovia was so scary that I uninstalled it.

    And STALKER. Oh, god, the haunted labs in STALKER. The latter two games don’t have scares like that. Few games do.

    It’s especially rare for a game to have more than mere “moments” – for a game to be scary from beginning to end, that’s a triumph.

    Wonderful article. As if Gregg’s review wasn’t enough to convince me that Penumbra is not something I have the courage to play!

  • DPenn

    I’m with you Lewis … I’m a bit of a puss. I just have a hard time wrapping my head around the idea of dread as entertainment.

    Still, I’m drawn to dark stories when they have something interesting to say, whether it’s a game like Thief or a film like, say, Gaspar Noe’s Irreversible. So I’ll push through, sometimes peering through my fingers.

    The trouble with games, though, is that if you look through your fingers, you’re probably just going to have to play through the scenario again. :~)

  • Mike "Scout" Gust

    I wanted to play this game. I downloaded the demo but the controls were just too wonky for me to get my head around. I liked the atmospheric vibe a lot. I think I’m a bit desensitized from an overdose of horror movies in my youth so I don’t so much get the dread thing from these games as a nice creepy vibration. If only the controls were better…

  • Lewis B

    @ Mike, what’s wrong with the controls bud? As someone who despises poor control schemes, Penumbra’s is just like any other FPS, except to examine things you right click on them.  To use things you left click.  I’m not sure that can be considered difficult 🙂

  • Gregg B

    @Steerpike: Yeah my greatest shit-scared moments were with those games too. A few spoilers below people, so beware.

    Bioshock – Haha, I remember the dentist. I didn’t really find the game that scary overall but the bit where you go into the wine cellar and notice a mannequin facing the wall and after upgrading your weapon it’s stood directly behind you motionless and quiet just for a moment before attacking you. I shat a brick. I also missed that bit originally until Lew told me about it.

    System Shock 2 – same as you really, more unremitting tension all the way through rather than specific terrifying moments. Oh actually, theres a bit where you call a lift and it breaks then you realise a service droid is coming to fix it… I do remember having sleep issues after my first encounter with the cyborg ninjas though.

    Thief: The Dark Project – The Sword and Return to the Cathedral and Down in the Bonehoard and well, loads of them. The Sword made me break out into goosebumps though because there was a bit where you could hear this creepy giggling which seemed like it was following me about then it suddenly changed to this horrible throaty noise. What made matters worse was that the EAX (bless you Creative) made my foot steps sound like somebody else was there with me. That level was incredible, a bit too incredible as it seems I missed great chunks of it because I was so eager to leave.

    Thief II: The Metal Age – Trail of Blood where you end up in that opening with those damn tree beasts. God the first time I saw one of those hurtling towards me I actually died shortly afterward. Do you remember that Mechanist child walking around on one of the levels? That was a little creepy.

    Then there’s Penumbra: Overture – quite a few bits but I’m not mentioning them here.

    Oh and S.T.A.L.K.E.R. – The brain scorcher lab just because it was so damn quiet. My imagination seriously got the better of me there. Those stuffed animals and heads I’d seen in various buildings led me to believe that those creatures were lurking somewhere in the Zone, specifically that lab.

    @Mike: My control setup was perfect after some tweaking (as well as the simple weapon swing fix). If you ever fancy giving it another go, give me a shout and I’ll let you know my setup.

  • Lewis B

    I’m not sure why guys, but one of my starting paragraphs had gone missing, even though I copied it straight from the original source, and It was fine earlier. 

    Incase you missed it due to some technical issue you might want to re-read just after “Well no she wouldn’t in truth, but in Penumbra: Overture you don’t want to move anyway.” at the very start for those who’ve already read the article. Apologies 🙂

  • Mike "Scout" Gust

    Lewis, it was the weapon swing. It had this terrible, unresponsive feel to it, like trying to hit through molasses. I couldn’t stand using it. I tried the .ini fix as mentioned in the review but it didn’t seem to help. Of course this was the demo…but that shouldn’t have made any difference. I might try the second game instead as I guess they did away with the weapons thing.

    I’m see your first paragraph just fine. It’s the dialogue, right?

  • jdeuel

    I like the argument that weapons can remove fear, but even loaded to the teeth with ammo in AVP’99 the Marine missions were frightful because the enemy was anywhere at any time.

    As for Penumbra Overture, if the controls are anything like the original Penumbra they need to hack in some Wii-Remote 3d controls. I did not like using my mouse for 3d movements.

  • Gregg B

    @Mike: I’ve read that many people avoided conflict altogether in Overture which incidentally is something forced upon you in Black Plague. As somebody who has been renovating a house over the last 6 months with no DIY experience I can safely say that swinging a hammer is significantly easier in real life than it is in Overture without the fix. The fix balanced that for me.

    I’d highly recommend completing the first Penumbra because it’s one big build up to Black Plague which spoils the ending to Overture in the intro. And it’s a great ending too. Just so you know!

  • Lewis B

    @ Steerpike, those moments you mention are all my worst too!!  Do you remember the Robot labs in SS2? Absolutely terrifying, waiting for robots to burst out on you! 🙁 oh and have you ever player Condemned?

    @ Mike, The use of weapons in Penumbra is different to say HL2, where the player is physically holding the weapon, as in Penumbra it floats slightly infront of you.  However, if you change the control method to normal weapon swing, it’s no different!  Speak to Greggi and he’ll tell you what to do 🙂

    @ jdeuel, AVP the original and its sequal were scary however what type of fear do you think it is? I don’t think it’s anything more than sheer tension.  Having a Smart Gun makes you feel incredibly powerful.  I can honestly say in Penumbra the fear is sheer unrivalled terror, where you actually have to force yourself to play on.  It genuinly is that scary! 🙂

  • Jason Dobry

    It’s so true, an arsenal of weapons and ammo rapidly deflates any sense of horror or uneasiness in any game for reasons you already mentioned. Sakey, I thought Bioshock was more “lonely panic,” while I was pretty much always terrified in System Shock 2. I really, really, REALLY did not want to enter The Many’s nursery, and my weapons were so unreliable and ammo so scarce that I never felt safe.

    Silent Hill was terrifying for the same reasons. Ammo was rare and I frequently had to rely on my pipe for self-defense.  Even when I had ammo, the game mechanics prevented my character from being anything other than marginal with any firearm.

    Fear had one moment for me: I was climbing up a ladder, and as I reached the upper platform, my guy briefly looked down as he climbed off. As my perspective looked up again, that Ring-esque little girl was RIGHT THERE, reaching for me. I screamed and she was gone.

    What else…the original Aliens vs. Predator sent me into a locker room and I could only hear the facehuggers scurrying about somewhere within. I had to go in there. I advanced about three steps before the damn thing screamed and filled up my screen with its repulsive underside as it implanted me with its spawn. My roommate made fun of me for weeks for screaming like a girl child.

    Korsakovia–meh.  I was too annoyed and frustrated by the box rearrangement/jumping puzzles to be scared. I uninstalled it after an hour of play, I think. Maybe the scary parts were later, but I doubt it.

    As for Penumbra, I did play through about half of it before other games distracted me. I remember unease and creepiness, but no sweaty fear. I think I’m to blame here, or, more precisely, my daughter, who was still an infant at the time and generally allowed me only to play during the day for 45 minutes at a time. I was denied total immersion and the fear effect suffered. Maybe I should give it another go after I finish Call of Pripyat since she sleeps through the night now. With any luck, Penumbra will keep me from doing the same.

  • Gregg B

    I played the demo of F.E.A.R. but that ladder scare is the only bit I remember. Christ, that made me jump. I’m not too good with cat scares.

    Also I felt exactly the same about Korsakovia. It was creepy at first but then it began to irritate me far too much and it just soured the experience. I stopped playing as a result. Not to mention, when I realised I could bash those smoke-things with my crowbar they didn’t bother me nearly as much.

  • Online Up

    Great article. I look forward to reading more in the future.

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